Overview

I would consider the final work as both generative and photographic, however, there are definitely some elements I added in along the process to try to make sure the works would shine as silver gelatin prints.

- Dmitri Cherniak

Lights Years is a study in contrast - light and dark, life and death, past and future, here and there - and was developed iteratively as I travelled around the world researching the late, great Bauhaus educator and artist László Moholy-Nagy.
Nearly one hundred years separate my birth from that of Moholy-Nagy, and despite that distance, I feel a deep connection to his work and what he represents. Not only do we share aesthetic sensibilities, but a vision for a future where technology and automation are appreciated for their creative and cultural potential, and not just as economic and political tools.
With the support of his estate, I was able to dig deep into archives in North America and Europe and put together a series of works, through a process that I believe will help elucidate generative art’s connection to the history of art in the 20th century. It was documented thoroughly, and I hope you get the opportunity to watch the documentary put together by Fellowship.
Although my artistic practice might feel light years away from the experimental and influential practice of Moholy-Nagy, throughout this project I was constantly reminded that our separation in time and space was not so distant: When you are automating art at the speed of light, things are much closer than they appear.
- Dmitri Cherniak
Artworks from LightYears are held in the permanent collections of LACMA (USA), Buffalo AKG (USA), and ZKM (Germany).

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